Image: Steve Benner
Publications
Performing the Listener: Utilizing Auditory Distortion Products in the Compositional Process
eContact! journal (20.3), January 2020.
Proposing an Application for Binaural Beating in Timbre Modulation
eContact! journal (18.4), June 2017.
The Inner Ear as a Musical Instrument
Acoustical Society of America, POMA journal, February 2016.
Paper Presentations/training seminars/Documentary output
Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential
5th February 2020, Seminar Series, Maynooth University Music Department, Ireland.
Employing the Listener: Investigating a Psychoacoustical Approach to Sound Art Composition
4th November 2017, Sounding Out the Space, Dublin Institute of Technology, Ireland.
Proposing an Application for Binaural Beating in Timbre Modulation
August 2016, TIES, Toronto, Canada.
Composing for Non-Linearity: Exploiting the Physicality of the Listener in 'Ear Walk'
May 2016, SSC, Huddersfield, England.
Did You Know Your Ears Can Sing?: The Muted Potential of the Ear
April 2016, BEAST FEaST, Birmingham, England.
The Inner Ear as a Musical Instrument
November 2015, Acoustical Society of America conference, Florida, USA.
Transient Evoked Otoacoustic Emissions in 'Transcape'
October 2015, INTIME, Coventry, England.
The Listening System as a Performance Medium
August 2015, ISSTA, Limerick, Ireland.
Audio Programming Workshop
Computer Science Summer School, August 2014, Maynooth, Ireland.
Audio Production & Editing Workshop
Brazilian Science Without Borders Summer School, 16th + 24th June 2014, Maynooth, Ireland.
The Fetish of Technology: From Analytical Tools to Compositional Resources
January 2014, SMI Postgraduate Conference, Cork, Ireland.
Six Studies for Fixed Media
May 2013, Composition as Research Symposium, Maynooth, Ireland.
Why Music Can’t Stay Still (Documentary)
RTÉ lyric fm, Broadcast November 30th 2012.
Postgraduate Electroacoustic Composition Workshop
November 2012, Maynooth Ireland.